Head Wound City are a hardcore supergroup consisting of Jordan Blilie and Cody Votolato ofBlood Brothers, Nick Zinner fromYeah Yeah Yeahs, and Justin Pearson and Gabe Serbian, both fromThe LocustandHoly Molar.Jordan does the singing. Gabe plays drums. Cody does guitar stuff. So does Nick. JP plays bass. Most everybody sings along. They’ve been in some of the bands that have burned out the backs of your eyeballs, Yeah Yeah Yeahing you into a jitter sex frenzy, Locusting your flesh down to bare white bones, and spurting Blood Brothers all over your clean white sheets. Such an awesome short lived band. They made one record, played one show and that was it. Get this record NOW!
The Black Artists Group (BAG) was a collective of jazz musicians as well as dancers, poets, and other artists formed in St. Louis, Missouri. Their music recordings would fall under the umbrella of avant-garde and free jazz. The collective was active from 1968 until the early 70’s, but in the early 70’s they relocated to Paris, and then again to New York. After splitting up, many of the musicians were still active in the New York music scene. Three of the saxophone players (Julius Hemphill, Oliver Lake, and Hamiet Bluiett) would later form the World Saxophone Quartet.
The Baltimore quartet, Love Life, featured ex-members ofJaks,Universal Order Of ArmageddonandThe Great Unraveling. Their uniquely raw,post-punkinfused noise rockoften utilized odd time signatures, driving bass, multi-layered arrangements featuring organs, horns, and strings, and most notably Katrina Ford’s sinister, guttural voice and lyrics. Their sound earned them frequent comparisons to artists likeThe Birthday Party,Diamanda Galas,The Jesus Lizard,Swans, and earlyPere Ubu.In 2004, Love Life broke up, with Katrina Ford, Sean Antanaitis, and drummer David Bergander forming the post-punk cabaret trio, Celebration, and bassist Anthony Malat going on to form Bellmer Dolls.
http://www.mediafire.com/?jzqb81e5c1fbc5b
Note that when you download this it will most likely say the file is broken
but it does contain these two records, which rule, so go for it :)
The Rapture are an American rock band formed in San Francisco. The band mixes influences of post-punk, dance-punk, acid house, disco, electronica, and more. These guys have left a huge impact on how I play music and deserve to be heard. I'm not a huge fan of their newer material, but I'm posting all my favorite past albums. Check these guys out.
YEAR FUTURE was founded in early 2003 in Los Angeles. Originally comprised of vocalist Sonny Kay (THE VSS, ANGEL HAIR), guitarist Rockey Crane (DEAD AND GONE, CREEPS ON CANDY), bassist Sam Ott (THE FUCKING ANGELS) and drummer Jim Andersen (of THE PATTERN, TALK IS POISON), the band’s new lineup now includes bassist Pete Lyman (ex-LIVING SCIENCE FOUNDATION) and drummer Chris Hathwell (also a member of the band MOVING UNITS). Really good threeoneg related band. Hard to describe, just check them out.
Musica Elettronica Viva could not be easily defined as one band. Instead, MEV was closer to a movement based around the idea of free improvisation in the form of experimental, electronic jazz. In the early ’70s, there were three different (but related) bands that went by the name: one in New York that included Richard Teitelbaum and Frederic Rzewski; one in Paris, led by Patricia and Ivan Coaquette (before his Spacecraft days); and one in Rome, founded by Alvin Curran. They were early experimenters with the use of synthesizers to transform sounds. They also used such “non-musical” objects as amplified panes of glass and olive oil cans, and their performances achieved notoriety in Italy for their ability to generate riots. Really good noise, check this stuff out if your into that kinda stuff.
Fronted by guitarist/vocalistMatt Hollywood, the former co-songwriter and co-founder ofThe Brian Jonestown Massacre, fans of mid-’60s Kinks, Stones, and Byrds will fall in love with The Out Crowd’s edgy and infectious pop sound, heightened byDandy Warhols’ producer Gregg Willliams’ immaculate production. The Big Takeover raves: “Portland, OR’s Out Crowd makes music that reaches for the sky, going for those heavenly ideas just out of reach.Building off the great Psych foundations of LA pop, (Byrds, Love, Rain Parade,) one moment and a Stonesy Velvets base the next, they push themselves to the creative max, with a sound that is always clean and aggressive. But don’t think its urgent-style Punk, instead its Rock from a bunch who remain in control even as they go for broke. Really cool stuff check this out.
Japanese screamo fused with ideas of progressive hardcore, metal, and post-rock instrumentals. Not much else to say about these guys except that they are brilliant. Get both of these albums now, you won't be disappointed if your into this kind of stuff.